LA SAGRADA FAMILIA, Barcelona

La Sagrada Familia in Barcelona Hotels, Catalonia, Spain, more formally Temple Expiatori de la Sagrada Familia or Expiatory Temple of the Holy Family, is Antoni Gaudi's masterwork.

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It is a Roman Catholic basilica (not a cathedral - the cathedral of Barcelona is the Cathedral of Santa Eulalia, a Gothic building of the late Middle Ages). After disagreements between the founding association and the original architect Francesc del Villar, Gaudi was assigned the project in 1884 and created an entirely new design. At first, the basilica stood in an empty field over a mile away from urban Barcelona.

He worked on the project for over 40 years, devoting the last 15 years of his life entirely to this endeavour; on the subject of the extremely long construction, Gaudi is said to have joked, "My client is not in a hurry." Upon its completion, it will be the largest basilica in the world and tallest church in the world.

As the building proceeded higher and higher, the style got more and more fantastic with four spindle-shaped towers that can be likened to termites' nests or children's drip sand castles. They are crowned with geometrically shaped tops that were probably influenced by Cubism (they were finished around 1920). There are also many complicated decorations that are said to be in the style of Art Nouveau.

Gaudi died in 1926. The towers were originally intended to be three times higher. Parts of the unfinished building and Gaudi's models and workshop were destroyed during the Spanish Civil War by Anarchists. Gaudi left no further plans and work on the privately owned church has been episodic.

Since 1940 the architects Francesc Quintana, Isidre Puig Boada, and Lluis Gari have carried on the work. Sculptures by J. Busquets and the controversial Josep Subirachs decorate the fantastical facades.

According to the newspaper El Periodico de Catalunya, 2.26 million people visited the unfinished basilica in 2004, making it the most popular attraction in Spain, before the Museo del Prado and Alhambra.


ONGOING DESIGN OF LA SAGRADA FAMILIA

The design is based both on reconstructed versions of the lost plans and on modern adaptations. Every part of the design is rich with mystic Christian symbolism, as Gaudi intended the church to be the "last great sanctuary of Christendom."

Its most striking aspect are its spindle-shaped towers. A total of 18 tall towers are called for, representing in ascending order of height the 12 Apostles, the 4 Evangelists, the Virgin Mary and, tallest of all, Jesus Christ. The evangelists' towers will be surmounted by sculptures of their traditional symbols: a bull (St. Luke), an angel (St. Matthew), an eagle (St. John), and a lion (St. Mark).

The central Christ tower will be surmounted by a giant cross; the tower's total height will be one metre less than that of Montjuïc, as Gaudi believed that his work should not surpass that of God. The lower towers are surmounted by bunches of grapes, representing spiritual fruit.

The church will have three grand facades: the Nativity facade, the Glory facade (yet to be completed), and the Passion facade. The Passion facade is especially striking for its spare, gaunt, tormented characters, including emaciated figures of Christ being flogged and on the crucifix. These controversial designs are the work of Josep Subirachs.

Themes throughout the decoration include words from the liturgy. The towers are decorated with words such as "Hosanna," "Excelsis," and "Sanctus;" the great doors of the Passion facade reproduce words from the Bible in various languages including Catalan; and the Glory facade is supposed to be decorated with the words from the Apostles' Creed.

Areas of the sanctuary will be designated to represent various concepts, such as saints, virtues, sins, and secular concepts such as regions of Spain, presumably with decoration to match.

Computer modelling has been necessary to describe the shapes of various elements such as the inner pillars of the church as Gaudi intended them. See also 'catenary'. CAD/CAM technology has been used to speed up the construction of the building; initially, the construction work was expected to last for several hundred years, based on building techniques available in the early 1900s.

At the latest estimate, building works are expected to be complete around 2026, the 100th anniversary of Gaudi's death, although the likelihood of meeting this date is disputed. It appears that the construction work calls for many pieces of stone to be machined to unique shapes - each being subtly different from the next, and that these pieces are now being machined accurately off-site, reducing the overall construction time.

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